p.ox? or the disturbing whiff of the emperor’s new clothes…

By billn on September 12, 2013 #other sites#p.ox

pox-australian-pox
A picture whose orign I would cite, but it’s been on my hard-drive for so long I can’t remember!
Anyway, p.ox, Aussie-style…

This piece, posted yesterday by Tyler Coleman on Winesearcher is at first glance a ‘holding story’ about p.ox; one that keeps (justifiably) the story in the (wine-)public conscious, and perhaps brings a new angle or two to the story, adding a little red-scare-mongering, but essentially, nothing new.

Nothing new except, perhaps, a fairytale flashback due to a quote from the University of Bordeaux’s Denis Dubourdieu (a.k.a. ‘the Emperor’)

“Vines that are too weak, and with a poor nitrogen intake, produce grapes low in glutathione. Summer drought conditions and/or competition from grass left to grow between the vine rows also worsens this deficit,” he explains.

This statement immediately struck a chord in my mind, being a paraphrasing of the reason that leading scientists (of the day) attributed to the death of vines due to phylloxera – it wasn’t the bug that was directly responsible, phylloxera was only having an effect because the vines were already tired or diseased! I mean, is this the best that we can expect from academics (with strong financial ties!) these days? Of-course Tyler Coleman may be short-changing us, and Prof. Dubourdieu might have full data to back up exactly what age a vine becomes tired, and due to what level of competition from grass, or ‘how much drought’ causes a problem – though, by the way, my 1976 whites are still brilliant, and I’ve never seen a p.oxed 2003 despite plenty of otherwise bizarre ones!

Maybe Denis has a real point somewhere along the line, and can explain why vines are tired today when they weren’t 30 years ago, and why his quote only looks bad because it’s out of context and has been dumbed down… Maybe…

As a scientist, I’m simply taken aback!

ray’s book

By billn on September 10, 2013 #books, maps, magazines, films even podcasts!

rays-bookSubtitled ‘The Road to Burgundy’
Published by Gotham Books (Penguin).

On trains and trams for the last couple of months I’ve been dipping into this book – Ray kindly thrust it into my hands the last time I saw him – and despite ~290 A5 pages, the chapters are relatively ‘bite-size’, so it was a perfect fit for such travel arrangements!

I’m pretty sure that most people here now know of Ray Walker; at his Maison Ilan he’s single-handedly redefined what an outsider can achieve in Burgundy, and his wines are quite good too! But a book? What next, a film? He’s already been practicing his camera-facing skills!

Not getting too far ahead of ourselves, let’s concentrate on the book… ‘Ray does Burgundy‘, as I shall henceforth refer to this book, is very much (to a British ear) a Disney book (or film? 🙂 ) of apparent worthiness, but this is also a fleeting tenor, because I was quickly wrapped up in the story, as opposed to the storytelling – and given the detail the book covers, Ray must have a hell of a memory for events and dialogue. Actually I knew quite a lot of the story from various meetings with Ray, but had assumed much of it wasn’t for print – how wrong I was – but Ray tells a good tale!

Of-course I know many of the book’s actors, but Ray does Burgundy is anyway a fascinating story, indeed book: It’s about destiny, the journey, serendipity, the odd psycho (clearly better than rogues, or at least in this particular case) and relationships, like wine, forged. Actually I think that Ray was more than a little lucky in his various dealings, as there are clearly more rogues than psychos – perhaps it was all good character judgement on his part!

Whilst many see Ray’s progress as nothing short of a miracle, I personally I have the impression that Burgundians are more open to outsiders than their fellow locals and I’ve no doubt that this was in Ray’s favour – had he not met a Leflaive or a Gouges (etcetera) there may have been other willing substitutes – but there can be no discounting that it takes effort, sacrifice, enthusiasm and eventually attention to detail, to do what Ray has done. In most things Ray clearly prefers, where possible, to have control of the narrative, but in the end (good book or bad book – though it IS a good book), Ray is first and foremost a wine-producer, so this is how I judge him, and given the quality of his wines, to-date, Ray seems to have that taped…

dr.georges mugneret’s 2002 gevrey – the baby ruchottes…

By billn on September 08, 2013 #degustation

georges-mugneret-2002-gevrey-chambertin

I was, perhaps, a little dumb to open this one; I’m in the early stages of a cold, and despite losing many of my sniffing faculties, I just happened to reach for the cork-screw anyway!

The 2002 was the first vintage for this wine (I think), the declassified young vines from Ruchottes-Chambertin. On release I though it excellent, unlike the 2003 or 2004, each compromised but for different reasons. I also have a 2005 ready to open, but maybe my nose will demand that I wait a few days for that!

2002 Dr. Georges Mugneret, Gevrey-Chambertin
Medium-plus colour. The nose is a little tight (or maybe my nose is a little tight!) but there is still a sweet dark-cherry or plum fruit. In the mouth this has a lovely, welcoming, sweetness, a round yet lithe impression that is both balanced and texturally very nice indeed. There is tannin but it is little more than an anecdote, and a perfect acidity that supports medium-plus length flavours. I could almost guess Chambolle! Just a very, very pretty wine indeed – I have a few more bottles, but I really wish I’d pushed the boat out a little more. Lovely!
Rebuy – Yes

ambroise: a carbonated beverage or wine?

By billn on September 07, 2013 #degustation

ambroise-2009-bourgogne

I cannot lie, these days I’m having a bit of a love-hate relationship with dissolved CO2 in young wines – I can only love the wines when it’s gone – before I hate them…!

2009 Maison Ambroise, Bourgogne
I like the screw-cap – it’s quick and easy – there, the wine is already in my glass. I have to say, don’t like the smell though; there’s the toasty oak of Bordeaux – or Pousse d’Or – and the CO2 backed sweetness makes me think of well-known carbonated beverages, not wine – all I can say is, at least it’s not reduced! The advantage of a screw-cap, though, is that you don’t have to get your finger wet: put the cap back on and shake for all your worth! After half an hour, this is real wine, and not oaky wine either; there’s a friendly red cherry and a hint of herb too – actually it’s quite nice now the oak smell has left us. In the mouth the overall stance has a decent focus, more than adequate concentration (for the label) and the balance is fine. There are no wines from Ambroise in my cellar, and that’s down to my perception of their oak, but once it fades, you are left with a very successful wine, I really rather liked it!!!
Rebuy – Yes

kent rasmussen – failed by the cork – almost…

By billn on September 06, 2013 #degustation#etrangers

kentFollowing my recent cellar investigation, my last bottle from this producer turned up – it was the youngest I ever owned – a 1999.

During the late 1990s the doyen of British independent wine-retailers was Oddbins, and whilst they made as much money selling beer and cigarettes as they did wine, they had a treasure trove of small and interesting producers side-by-side with walls of the latest Shiraz on special offer – here is one such example. Such a shame that the shops that currently wear that name bear no more than a skin-deep resemblance!

Anyway, back to Kent! I bought this cuvée from the 1996 to 1999 vintages, inclusive, and enjoyed them all, but it was nearly 10 years since my last bottle. Along the way there had been other interesting bottles from Kent; the Ramsey Petite Syrah and a 1996 Ramsey Reserve Napa Valley Syrah – the latter could have been sourced from Berry Bros.(?) – but back to my first love: As it was an ‘older bottle’ I chose the screwpull – my lever-action ‘tool’ has a habit of snapping the older corks in two – well in this case the cork simply disintegrated, erupting into a heap of bits. Fortunately very little ended up in the bottle-neck. Frankly there was a little oxidation to the aromas, dovetailing with a little vanilla and plum, but the fat, flavour and texture of this wine was still remarkably lovely – I’d probably be bemoaning a lack of acidity if it came from the Côte d’Or, but regardless, it seems that this one was drunk in the nick (maybe 2-3 years too late?) of time!

easy 85s…

By billn on September 05, 2013 #degustation

1985-cave-du-dauphin-beaune-greves

Tonight it’s a Beaune Grèves from 1985. It is round, sweet and nicely textured. There is not that much excitement, but not that much to complain about either. For (too) many, 1985 in a glass…

closing in on the 2013 vintage…

By billn on September 05, 2013 #harvests#vintage 2013

I chatted with the ‘home domaine’ today to get a better feel for how things are running:

It seems that, despite great weather in August and (so far) in September, the harvesting timeline has been extended a little further. Whites and the first Côte de Nuits reds will probably arrive at the winery around 27-28th September, but this year will not be the usual concentrated 10-day blast, probably the Côte d’Or harvest could easily last 3 weeks (the Hautes Côtes is often a couple of weeks later).

The hailed Côte de Beaune vines lost about 2 weeks of maturity (versus the unhailed), and whilst you might expect them to catch back up (as there’s less fruit to ripen) there’s no sign of that yet. Another domaine that I know of in Morey isn’t planning to start until ~4th October, so I guess Laurent Ponsot will be penciling-in a Halloween party to coincide with his vendanges, but whether that aligns with his start or finish is yet to be seen!

Given the awful news of hail for Côte de Beaune vignerons, many people (even the French!) have fixed in their mind that 2013 is going to be a difficult/poor vintage, yet they lose sight of the fact that hail hit from the Meursault/Volnay border to Pernand-Vergelesses, but no more. The whites largely look magnificent, and the Côte de Nuits still has the potential for a Great vintage. Disease pressure was only very early in the season due to the wet spring / early summer, thereafter, the weather has been dream-like. Let’s see how that weather treats them over the next 4 weeks.

Meanwhile I’ve culled a few ‘Facebook bunches’ for your delectation: As always, Alexandrine Roy leads the field with her photogenic clusters(…!), but for balance, I’ve include a few from Pommard too.

Can’t wait!

[Photo credits: Jeremy Seysses, Thomas Bouley, Nicolas Rossignol, Alexandrine Roy]

jean-marc boillot’s 2011 villages puligny

By billn on September 05, 2013 #degustation

boillot-jean-marc-2011-puligny-montrachet

2011 Jean-Marc Boillot, Puligny-Montrachet
Medium-pale lemon yellow. The first few minutes after opening, this wine offers up plenty of toasty bread, but slowly this fades to leave you with a fainter vanilla and a nice clean 2010-style nose that hints of soap and a little ginger. There’s a pleasant freshness to this wine, it doesn’t offer a laser-like focus, but the acidity is decent enough and the flavour wraps nicely around your tongue. It’s very ‘easy’ wine in that 2011 vernacular and I suspect that a few 2010 Bourgognes might give it a run for its money, but that said, it was a wine that was easily enjoyed and greedily consumed!
Rebuy – Yes

thomas-moillard’s 2000 bonnes-mares

By billn on September 03, 2013 #degustation

bonnes-mares-2000-thomas-moillard

In well-regarded vintages, the wines of Thomas-Moillard were as hard as nails – the 99s are a case in point, where they will need the best part of (at least!) 10 more years before I would consider broaching more than a sample of their wares. Maybe in less auspicious vintages they chose to rotate their recumbent fermenters less, leaving behind just a little of the tannin in their pips and skins – maybe! But here is a decent enough 2000, yet a wine that is certainly built to last.

2000 Thomas-Moillard, Bonnes-Mares
Medium-plus colour. Aromatically this is an instant hit – wild, exciting and with great depth – already after 10 minutes it’s a little more pedestrian, but what an opening! Time restores my interest as there are new aromas of leather and meat, but they are cleanly delivered aromas. The first sip reveals sweet fruit, super intensity and a leading-edge of acidity that is faintly sharp/metallic – this acidity softens quickly – you really wouldn’t notice after a few minutes. There is a grain to the tannin, but it has very little astringency, more of a fresh sensation in the finish. So a concentrated wine that delivers impact and interest, yet seems relatively structured, given the vintage – it is an old-styled meaty wine but still with some style – even these 2000s beg at least 10 more years in the cellar, and given my experience of some 1960s T-Ms, maybe a good deal more than that!
Rebuy – Yes

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