Grands-Echézeaux

2004 Romanée-Conti Grands-Echézeaux

By on March 31, 2007 #asides

Yield 25.5 hl/ha – or 882 cases. Medium colour. The nose has a little more wood and stem ‘smoke’, faint vanilla at the base and just a little more width than the Echézeaux. Eventually the nose shows truffly notes and asian spice – more cohesion but I miss a fruit dimension, plus a little cedar is now appearing – 25 minutes finally gives us a little cherry! The nose seems much more primary than from barrel. The palate shows the elegance that I remember though the acidity seems just a little brighter with a trace of cedar on the mid-palate. Like the Echézeaux, there are no fireworks, rather understated length. This was my ‘amour’ from barrel – from bottle it seems merely ‘pretty’ rather than beguiling.

2003 Romanée-Conti Grands-Echézeaux

By on February 28, 2006 #asides

The nose is deeper and darker of aspect; dusky, fecund – quite exciting. Slowly the nose ‘brightens’ to bring higher-toned spicy elements to the fore, aniseed and red-wrapped fruit. The palate is less obviously sweet, some separation in the mouth between the impression from the fruit vs the tannin and extract that comes through on the mid-palate. The length is haunting, slowly drying out onto your teeth. This is an enigmatic wine today, almost two personalities in one glass – if they marry this will be a superb wine – it is anyway a larger step-up from the Echézeaux than in recent years.

2004 Potel Nicolas Grands-Echézeaux

By on February 28, 2006 #asides

A much more delicate nose, subtly complex and still very, very interesting. Even another step up on the Echézeaux – wonderful mouth-watering complexity. An absolute stunner.

2003 Romanée-Conti Grands-Echézeaux

By on October 31, 2005 #asides

There won’t be so many press tastings for this vintage as the average harvest across the domaine was a mere 18hl/ha – I guess I was lucky to taste this. Medium-plus colour. The nose is wide and deep with fresh berries, a little time in the glass gives up an extra spicy edge and extra purity to the fruit. In the mouth it’s fat and creamy and is loaded with velvety tannin and concentrated dry extract of fruit on the finish. This is a fascinating expression of the vintage, drier and less fresh than 2004 which I prefer.

2002 Romanée-Conti Grands-Echézeaux

By on June 30, 2005 #asides

There’s a little haze to the wine from this bottle and slightly paler colour vs the Echézeaux. The nose has a little extra lift vs the deeper Echezeaux, also shows an extra creamy edge. This wine really distinguishes itself by the intensity of its finish vs the previous two reds. It doesn’t give the ‘rush’ provided by the Echézeaux’ acidity but instead provides a warmer, denser aspect to the extract. The tannins have similar volume to the Echézeaux, but with finer structure. Lingers excellently on the palate.

2001 En Truffière (Vincent Girardin) Grands-Echézeaux

By on October 31, 2004 #asides

Medium, medium-plus colour. The nose has black fruit, a little oak and faint gamey notes. A step up in concentration though well short of the best examples. Nicely intense black fruit and good length. Really need another 4-5 years to integrate all the parts – not least the oak. Very nice, if a second division GE.

2001 Romanée-Conti Grands-Echézeaux

By on June 30, 2004 #asides

Medium, medium-plus cherry red colour. The nose is a little less extrovert than the Échézeaux. It starts with powdery red fruit – no raspberry – but moves on to give a deeper and sweeter black cherry aspect coupled with a little earth. The palate gives the impression of more density and a blacker tone to the fruit. The acidity is first class and that tannins show a velvet touch. On the finish this shows less like the Montrachet/Échézeaux with pure fruit lingering well. Whilst still a backward wine, this shows much better than in January and you can easily see that although it is a little less ‘flashy’ than the Échézeaux, it also has more potential.

1998 Gros Frère & Soeur Grands-Echézeaux

By on June 30, 2004 #asides

Almost the wine of the series – were it not for the cork! The cork itself was slightly unusual in that the only inscription it bore was the number 983 – even the GF& S Bourgogne told me more. Said cork also had an unusual rancio-type of note – there it was in the wine too – unless you swirled and then it was gone – clinged to the palate though. So everything was dumped into a decanter to see if I could shift the smell, it wasn’t overpowering, but it was enough to spoil (my) enjoyment. The decanter failed to clear the ‘problem’ so I had to make a quick swirl with the wine before each time putting nose to glass. The colour showed no obvious oxidation – a lovely deep ruby colour with minimal fading to the rim. Post swirling the nose was first-class young, aristocratic Bourgogne, depth, bloody dried cranberries, coffee, dried currants – so complex. The palate showed none of the astringency of many, the tannins marked by a slight grain, but nothing more. The acidity is shows up on the mouthwatering finish, which despite no explosion lingers really well. But then the real taint came through – it had to be the GE that was tainted didn’t it(!) I got a new bottle, but didn’t see the point in opening it – I know it’s a superb wine – cork permitting!

2001 Romanée-Conti Grands-Echézeaux

By on February 29, 2004 #asides

Again a medium, medium-plus cherry red colour. Where the Échézeaux was ‘broad’ in the nose, this is more focused though giving-up less. Higher toned with more maraschino cherry. The palate shows higher acidity and again, svelte, discrete tannin. The palate is also more focused and deep, though less ‘broad’ than the Échézeaux. There’s similar outstanding length, but to start with the wine doesn’t have the overall appeal of the Échézeaux. Slowly the nose starts to develop a wide, subtly spicy undertone (takes more than 10 minutes in the glass) which also starts to increase in depth. The palate is unchanging. I tried the second bottle and there was more obvious oak – though transient. This showed a little more depth than before and even a black edge to the fruit on the finish.

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