There’s little iodine on the nose, otherwise this is clearly a wine of Meursault – if find lots of interest here. There is fine intensity here and some biscuit and savoury flavours too. Good power – lovely.
2000
2000 Méo-Camuzet Bourgogne Hautes Côtes de Nuits Clos St. Philibert
2000 Fougeray de Beauclair Fixin Clos Marion
Medium ruby-red, just a hint of amber at the rim. For the first hour or so there was very interesting, truffley red fruit with an undercurrent of mushrooms, after an hour, no mushrooms and rather a minty red fruit with a little herb crust – from 4 bottles opened over 10 days, this was the only one with the mushrooms. Over the tongue it has a comforting texture and just enough acidity to balance the warm fruit. The tannin can still be found if you chew. Quite smooth in a non-traditional Fixin way. A good, sweet finish – as mature as is possible whilst still retaining real fruit flavours. I think I could drink a few of these heartwarming bottles during the closing summer weeks.
2000 Coudray-Bizot Nuits St.Georges Aux Bas du Combe
2000 Berthaut Fixin Les Clos
A little paler. Ripe, baked fruit with some pot-pourri spice background. A sweet palate that avoids being cloying – plenty
of red confiture. Soft, with good apparent concentration. Not quite so decadent as the 2003 ‘Crais’ but still with a twist
of hedonism! I’d say that this would still benefit from 1-3 years more in the cellar.
2000 Chézeaux Gevrey-Chambertin
Medium-pale ruby-red. The nose starts with a waft of sweet oak, 2 minutes later it’s gone, replaced by a forward and ripe mix of strawberry/raspberry against a developing, more tertiary background. Sweet and soft with a good intensity in the mid-palate, the slowly mouthwatering finish is not bad either. This is a medium-weight wine that’s relatively easy drinking and simple but very tasty – shows the friendly side of the vintage.
2000 Lignier Hubert Chambolle-Musigny
Medium garnet but it still retains more than an edge of cherry-red. The nose impresses with lovely high-toned fruit over a deeper base – it starts with a twist of black, but gets redder and finer all the while – eventually I even find wild strawberry, a common descriptor for pinot, but one that I rarely find. This wine shows an impressive level of concentration to go with its smooth texture. There’s plenty of oak artifacts on the finish – vanilla cream – but it’s very long for a village wine and continues to impress as the glass empties. What differentiates this from other ‘beautifully oaked’ wines is the fresh, complex and compelling ‘Chambolle’ fruit on the nose – devoid of oak. I remember this being relatively expensive, but it’s a wine that I can say I wish I had more of. Smooth and ‘giving’ there’s definitely no rush to drink this.